57 – David Fincher Part 2: Killers, Killjoys and Kissing

In Part 2 of this series, we’re still to determine whether David Fincher is the greatest closet feminist of all time? 

In this period Fincher starts to utilise a range of female characters, takes a view on disability and even hires some (read: a few) people of colour.  But we cannot deny that the brilliantly dark auteur treats people as people, and that’s to be commended. 

Come listen to our amusing analysis, where Fincher’s dark soul tries to reach for the light!

David Fincher – friend or foe of film feminism? The jury’s still out…